Friday, 15 July 2016

Now You See Me 2 - The scoop and digest

Jon M. Chu replaces Louis Leterrier as director and Lizzy Caplan's Lula steps in for Isla Fisher's High Priestess Henley Reeves.

There's nothing sinister or untoward about Fisher's absence, as pregnancy deemed her unavailable.

Women eh? They'll use any excuse.

Ha ha ha!

For fun, they did share screen time together in decent 2012 girlie comedy Bachelorette.

Oh, Harry Potter is introduced as Tressler's son Walter.

Jesse Eisenberg - Atlas
Woody Harrelson - Merritt/Chase
Mark Ruffalo - Agent Dylan Rhodes
Dave Franco - Wilder
Michael Caine - Arthur Tressler
Morgan Freeman - Thaddeus Bradley

New Jersey, 1984.

A young Dylan witnesses his father Lionel Strike attempt to escape from underwater safe go drastically wrong.

30 years later, the Four Horsemen are keeping a low profile.

With frustration and patience wearing thin, Atlas takes the bull by the bollocks and seeks out The Eye.

A mysterious voice in a tunnel hints mission start isn't too far away.

'Amateur magic geek' Lulu is soon recruited as new Horseman and Rhodes ends frustration by challenging them to expose the corrupt Owen Case.

Reason given for Henley Reeves' expulsion was because of The Eye's 'inactivity'.

Things don't go swimmingly at product launch and while evading the FBI, they're captured by Merritt's twin brother Chase who presents them before tech tycoon Walter in Macau.

British silver tongue persuades them to steal a data card from Case's secret facility located underneath a local gambling den.

Why the fuck are secret facilities always 'under' and not above something?

Determined to learn the truth behind conspiracy, Rhodes busts Thaddeus out of grey bar hotel and seeks answers in China.

Brushing up on slight of playing card hand, Horsemen manage to complete assignment and steal chip.

Almost inevitably, Walter and cronies poop on elation.

Guess who that voice belonged to?

W is for...

Rhodes intervenes and fists fly, but is ultimately taken by Walter's men.

The Fool.

Still pissed at Rhodes for screwing up a tidy insurance claim, Tressler places him inside replica safe and leaves rival to drown.

After escape is secured, Rhodes and the Horsemen reunite after baddies foolishly assume murder success.

Magic shop owners Li and grandmother reveal they are members of The Eye and performing on the streets of London to flush out baddies sounds like a spiffing idea.

Lula (doves), Wilder (giant playing cards) and Atlas (weather control) all wow curious onlookers.

Pattern is sniffed out and Horsemen are again taken, this time on board private jet.

Chase, Walter and Tressler celebrate after human disposal but the joke's on them, as plane never took flight.

It's amazing what rain machines and powerful fans can accomplish...

With shady dealings televised live, criminals can kiss freedom and asses goodbye.

Rhodes gives chip to the bureau for safe-keeping and the Horsemen finally shed unwanted skin.

Li takes all and sundry to 'another' secret location and Thaddeus lauds Rhodes for what master illusionist has become.

Film closes with Thaddeus narrating and Horsemen gazing above spiral staircase forming The Eye.

As expected, this lacks the, ahem, magic of original.

Ludicrous plot is muddled, script disappoints and chase sequences are pointless.

Daniel Radcliffe serves up another lifeless performance and why overrated asshole keeps getting work begs bastard belief.

Woody's gobshite brother irritates, but Lizzy Caplan injects some charisma.

For all its faults, running time somehow entertains.

Tuesday, 5 July 2016

Artistic beauty in music II

Here's the surprise sequel to essential original.

Don't remember?

You're just a click away...

http://nukesandknives.blogspot.co.uk/2014/05/artistic-beauty-in-music.html

Caution.

The following may boggle eyes.

Dinosaur Pile-Up - Eleven Eleven
Mariachi El Bronx - Mariachi El Bronx (III)
Soulwax - Nite Versions
Ulver - Atgclvlsscap (Live)
We Were Promised Jetpacks - Unravelling
I the Mighty - Connector
Released several months after What a Terrible World, What a Beautiful World, Florasongs brings a medley of unreleased tracks from sessions that produced The Decemberists' album.

I suppose you need to cast a 'magic eye' to appreciate EP box art.


When eyes have readjusted, please continue.

Keane - Under the Iron Sea and MGMT - Congratualtions


The Great Wave off Kanagawa - Hokusai
Fleetwood Mac - Tango in the Night and The Snake Charmer - Henri Rousseau


Rage Against the Machine's Renegades parodies Robert Indiana's pop art Love.


Gentle Giant - Live At the Bicentennial 1976 and George Washington - Gilbert Stuart


Marillion - Fugazi and The Death of Marat - Jacques-Louis David


Badly Drawn Boy's The Hour of Bewilderbeast and Wednesday 13's Monsters of The Universe: Come Out and Plague poke fun at Leonardo da Vinci's Vitruvian Man.



As a special bonus, it may have escaped attention that Vampire Weekend's video for Diane Young does a great job re-enacting the most famous painting in the world.


The Last Supper - Leonardo da Vinci
Funeral For a Friend's debut Casually Dressed And Deep In Conversation was more than likely influenced by René Magritte's The Lovers.


Joni Mitchell's Turbulent Indigo amalgamates Van Gogh's Self-Portrait With Bandaged Ear and Starry Night.

Def Leppard effort Retroactive is nigh on identical to Charles Allan Gilbert's All Is Vanity.


Madonna's Celebration is a nod towards Andy Warhol's Marilyn Monroe.


Tenacious D and The Pick of Destiny refs Michelangelo's Creation of Adam.


Take a skeg at the following.

We Are Scientists - With Love and Squalor
Q-Tip - The Renaissance
Bowling For Soup - Let's Do It For Johnny!!
Longpigs - Mobile Home
Blitz Kids - The Good Youth
The Wombats - This Modern Glitch
Show of Hands - Beat About the Bush
Abbe May - Design Desire
Notice something?

Course yer' do.

Those in charge of cover design were surely aware of René Magritte's The Son of Man.
Amidst miscellany, I note the following on Electric Light Orchestra's Secret Messages.

Titian's Venus of Urbino (detail) and Alexandros of Antioch's Venus de Milo.
Let's sculpt.

Anatomical image 'Surgical Anatomy' lithograph - Joseph Maclise
Cherry Ghost - Herd Runners
Orpheus and Eurydice - Auguste Rodin
Arcade Fire - Reflektor
Alpheus and Arethusa - Battista di Domenico Lorrenzi
Jay-Z - Magna Carta Holy Grail
The St John's Ambulance Bearers - Benjamin Clemens
The Jam - Setting Sons
The Sluggard - Frederic Lord Leighton
Django Django - Born under Saturn
'De-sculpting'.

The Nightmare - Henry Fuseli
Membranes - Dark Matter/Dark Energy
Front and back of The Avalanches' Since I Left You details The Sinking of USS President Lincoln on 31st May 1918 by Fred Dana Marsh.


Heathen was a strong return to form for the late and great David Bowie.

I'm unsure why, but paintings inside booklet are partially defaced.

Please admire kick-ass photography.

Christ and St. John with Angels - Peter Paul Rubens
Massacre of the Innocents - Guido Reni
Saint Mary Magdalene - Carlo Dolci
Madonna and Child with Six Angels - Duccio di Buoninsegna
Not content with taking the piss, the following took the fucking piss.

Some dude called Kii Arens assumed responsibility for cover art, layout and photography for Jonathan Wilson's Fanfare.
Stealing and separating the hands of Adam and God is outright blasphemy.
In stark contrast, The Kinks Present a Soap Opera.


Eliran Kantor's impressive scrawl for Soulfly's Archangel appears to have been [cough] 'inspired' by Raphael's St. Michael Vanquishing Satan.


Want more?

Okay.

Thirteen Senses - Contact vs The Pleasure Principle (Portrait of Edward James) - René Magritte


Hysterical.

Albeit in more glamorous fashion. Paloma Faith's 2014 album A Perfect Contradiction screws Caravaggio's masterpiece The Entombment of Christ.


Stay tuned for film's revenge, television and video games finally pushing start.
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