Christophe Gans directs and co-writes screenplay with Sandra Vo-Anh and Will Schneider to loosely adapt Silent Hill 2 (2001).
Jeremy Irvine - James Sunderland
Hannah Emily Anderson - Mary Crane
Evie Templeton - Laura
Robert Strange - Pyramid Head
Pearse Egan - Eddie
Templeton also performed motion capture and voiced Laura in Bloober Team's acclaimed 2024 remake.
John Passarella's official novelization is released on 27 January.
Summary
At some point in the past, painter James Sunderland narrowly avoids crashing into a log truck and has a chance meeting with Mary Crane, who misses her bus back to Silent Hill. Romance blossoms, and they eventually move in together.
What a strange choice, as this completely recontextualizes town.
In the present, James returns to his apartment and finds a letter from Mary, begging him to come back to Silent Hill as something's happened.
One big cemetery
At the beginning, a drunk James wakes from a nightmare in a bar and is subsequently thrown into the trash outside.
What a perfect analogy.
It starts promising enough, with nice scenery and iconic camera angles from the game.
Having said that, green screen does all the heavy lifting.
We visit the meat of locations, such as Heavens Night, Brookhaven Hospital, Rosewater Park and Lakeview Hotel.
Irvine does his level best, but largely just runs and/or gives chase.
At Brookhaven (whose grounds is packed with beds and trolleys for some reason), Laura locks James inside Room 318 and he encounters Moth Mary (changed from Lakeview in remake). It's later revealed that James mercy kills Mary by smothering her with a pillow at 3:18am.
But that's all the positives I can muster, because the rest is rather abysmal.
Apart from killing Maria, Pyramid Head's only other purpose is to pummel a spider mannequin to death.
To be fair, at least he doesn't have a sword fight like in Silent Hill: Revelation (2012).
Lying Figures, Creepers and Bubble Head Nurses are just here to tick boxes and CG looked better 20 years ago.
Shit, even Abstract Daddy doesn't really do anything.
Narrative contains no psychological trauma and pacing sucks.
Nearly every fucking time James enters a new area, we're needlessly subjected to glimpses of his relationship with Mary.
Eddie (and his wig) are horrible, but James's beard during a flashback is on another level of cheapness, as it's literally stuck on.
Bach's Air on the G String plays on several occasions and just made me wish I was watching Seven.
There's no iconic graffiti and forget about Mary saying: "In my restless dreams".
When James is talking to Laura about Mary giving her a doll (actually an undead baby), he inexplicably blurts out Mary 'Trane'.
HA HA HA!
Changes
Mary Angela Laura Crane (born October 12 1991) are fragments of Mary's personality created by James's imagination.
Maria is a doppelganger of Mary.
Her father Joseph poisoning Mary since she was a child causing terminal illness ties to The Order and The Brethren from 2006 film.
References
Or rip offs?
Title card rises, like err, Evil Dead Rise (2023).
Candyman (1992)
James: "It's her, it's always been her."
Candyman: "It was always you, Helen."
The Shining (1980)
James: "I'm here, I'll always be here."
Delbert Grady: "I've always been here."
Ending
On the roof of Lakeview, James apologies to Moth Mary and it transforms back into Mary's body.
He places her body in the car and apparently commits suicide by driving into Tolcua Lake, but suddenly wakes up at the moment they met. However, he doesn't drive her to Silent Hill, confirming he's stuck in a time loop and town is giving him another chance.
Although it's awesome to hear a slice of Akira Yamaoka, 'hopeful' conclusion left me even more confused.






















































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