Famous Paintings in Film - Reel 4

Livescream

Childhood of King Cyrus - Antonio Maria Vassallo (left) and Leonidas at Thermopylae - Jacques-Louis David (right)

Mark of the Devil

The Age of Innoncence - Joshua Reynolds (left) and Peace and War - Peter Paul Rubens (right)

Solaris (1972)

Four from Pieter the Bruegel Elder's The Months.

L-R: The Harvesters and The Gloomy Day

L-R: The Hunters in the Snow and The Hay Harvest

Seoul Station

Still Life with a Bottle and Apple Cart - Paul Cezanne

The Kiss - Gustav Klimt

The Return of the Prodigal Son - Rembrandt

The Gleaners - Jean-François Millet (left) and A Small Bouquet of Flowers in a Clay Pot - Jan Bruegel the Elder (right)

The Monuments Men

In the Conservatory - Édouard Manet

Ghent Altarpiece - Jan van Eyck

Mile Irene Cahen d'Anvers - Pierre-Auguste Renoir

Portrait of a Young Man - Raphael

Self-Portrait (1645) - Rembrandt

The Art of Painting - Johannes Vermeer

Lady with an Ermine (left) and The Last Supper (right) - Leonardo da Vinci 

 

Miscellany

Bloodmoon
Sunflowers - Vincent van Gogh

Zombie High
Marilyn Monroe - Andy Warhol

Calvary
The Ambassadors - Hans Holbein the Younger

Dagon
The Flaying of Marsyas - Titian

Freaky
The Hunters in the Snow - Pieter the Bruegel the Elder

Hannibal Rising
Judith Beheading Holofernes (detail) - Caravaggio

Incubus (1981)
The Nightmare (1790-1791 version) - Henry Fuseli

Jakob's Wife
The Execution of Lady Jean Grey - Paul Delaroche

Joker
Blue Boy - Thomas Gainsborough

Jumanji: The Next Level
Hand Reflecting Sphere - M. C. Escher

Kingsman: The Secret Service
Gun - Andy Warhol

Klute
Christina's World - Andrew Wyeth

Land of Smiles
Café Terrace at Night - Vincent van Gogh

Let Her Out
The Return of Spring - William-Adolphe Bouguereau

Lock, Stock and Two Smoking Barrels
Miss Wong - Vladimir Tretchikoff

Looney Tunes: Back in Action
Mona Lisa - Leonardo da Vinci

Mamma Mia! Here We Go Again
Napoleon Crossing the Alps - Jacques-Louis David

Ouija Shark
Watson and the Shark - John Singleton Copley

Psycho (1998)
Venus and Adonis - Peter Paul Rubens

The Beasts' Carnival
The Triumph of Death (detail) - Pieter Bruegel the Elder

The Omega Man
Green Wheat Field with Cypress - Vincent van Gogh

Wolf (1994)
Cheetah with Two Indian Attendants and a Stag - George Stubbs

Superman III
September Morn - Paul Émile Chabas

The Toolbox Murders (1978)
Danaë - Rembrandt

Supervixens
Arrangement in Black and White No. 1 - James McNeill Whistler

Jennifer 8
The Luncheon on the Grass - Édouard Manet

Hustlers
The Course of Empire: Destruction - Thomas Cole

Until next time.

Resident Evil (2026) - The scoop and digest

Zach Cregger directs and co-writes the second reboot (and eighth overall in live-action series) with Shay Hatten.

Austin Abrams - Bryan Hodukavich

Zach Cherry - Carl

Kail Reis - Maxine

Paul Walter Hauser - Paul

Sara Paxton - Michelle

Summary

In 2026 (presumably), Lightfoot medical courier Bryan agrees to deliver a top-priority package from St. George's Hospital to Raccoon City General, even though his vehicle isn't equipped for snowy terrain.

While on the phone with his pregnant girlfriend Michelle, he hits a woman who appears out of nowhere.

After pulling Bryan over for fishtailing, Sheriff Wilson agrees to take her with him, as Bryan follows.

The cruiser suddenly swerves and crashes, killing Wilson.

He shoots the woman with Wilson's gun and heads for an isolated farmhouse.

Suffice to say, Bryan's night is only going to get worse.

Padlocks, doors and keys

An enjoyable romp, but is it worthy of the name?

Kinda.

Before continuing, principle eerily smacks of Metallica: Through the Never (2013).

In feature-length thriller concert film, a roadie called Trip (Dane DeHaan) is given a gasoline tank and paid to find a truck that needs refuelling.  He's t-boned by another car and wakes to post-apocalyptic anarchy.

One to chew over.

Lovecraftian creature design is derivative of The Thing (1982), Slither and Dead Space.

Cart-wheeling Amalgam is similar to many things, but reminded me most of Rat King (The Last of Us Part II).

Umbrella Corporation employee Paul explains they created a 'substance' that can almost instantaneously transform any organism into a hyper-evolved version of itself, and all the shit going on started in the lab.

Dariusz Wolski's cinematography deserves huge props, as subtle FPS work and chiaoscuro is generally excellent.

Any tension built during the opening 20m quickly vanishes, lazer focused on action and comedy, treating virtually every perilous encounter as a fucking joke.

Visual references don't feel forced, but a sign reading Leon S. Kennedy Guns and Ammo in the street where infected throw themselves off rooftops made no sense, unless rookie cop is trying to put Robert Kendo out of business.

Once Bryan reaches the hospital, Carl tells him to take the stairs to the 24th floor, cross the skybridge to the second tower and go to the 28th floor, where laboratory is.

Possibly coincidence, but the fourth part of first campaign No Mercy in Left 4 Dead is The Hospital.  To reach Rooftop Finale, a lift must be called which terminates on Floor 28.

Bryan's tantrums made me chuckle, but this reaction had the opposite effect.

He shoots open the maternity ward door, freeing the infected and causing them to fall on his makeshift Nemesis, the Amalgam.  Bryan triumphantly screams "YEEAAAHHH! VIDEO GAME!"

So dumb.

Anachronism

Paul reveals Bryan is actually carrying a neutralising base that completes the antidote for the Cure.

Antidotes counteract poison, so useless against a virus.  What script needed was an antiviral, which treats and/or manages an active infection.

Ending

Having delivered the vial to Carl, a heavily infected Bryan (bitten earlier by a little girl), finally mutates and completely loses control of his body.  As Bryan Birkin rips through the researchers, he still retains human intelligence and begs for the Cure.  The final scientist attempts to inject him, but fails, and the syringe falls to the ground below.  As National Guard helicopters arrive, Bryan roars and camera zooms inside his eyeball.

As credits roll, Animal Farm by The Kinks plays, an ironic nod to a brief action sequence of Bryan being attacked by a dog.

"This world is big and wild and half insane. Take me where real animals are playing. Just a dirty old shack. Where the hound dogs bark."

Next is closing theme by Ryan and Hays Holladay, clearly inspired by Ennio Morricone's score for The Thing.

There isn't a post-credits scene, but if I was in charge, the syringe landed intact and Ada Wong takes it for nefarious means.

Awesome idea, right? 

Golden Axe - 2026 TV series

Paramount+ animated series is based on the classic 1989 Sega arcade of same name.

Matthew Rhys - Gilius Thunderhead

Liam McIntyre - Ax Battler

Lisa Gilroy - Tyris Flare

Danny Pudi - Hampton Squib

Carl Tart - Chronos "Evil" Lait

SungWon Cho - The Narrator

Supporting cast includes Eric Bauza, Heather Jane Campbell, Eugene Cordero, Dee Bradley Baker and Haley Joel Osment.

Episodes

1. The Legend of the Emerald Blade

2. Rideable Beasts

3. Tender Hamlet

4. Fly Like an Eagle

5. The Brothers Bad

6. Return to Wenisburg

7. The Cold Bard Truth

8. Into the Cowoods

9. Because We're Us

10. For Yuria

Summary

At some point in the past, Ax Battler, Gilius Thunderhead and Tyris Flare defeated Death Adder, but demon lord didn't stay dead for long.

Story kicks off with trio discussing how to defeat murderous bastard for good, and when Gilius suggests finding the legendary Emerald Blade, said to be the only thing that can destroy the Golden Axe, Tyris and Ax scoff at idea.

So drunken dwarf leaves tavern on rideable beast Chicken Leg, followed by ardent fan and anxious virgin Hampton Squib.  The pair successfully obtain mythical weapon, which chooses Hampton to bestow its power.

The only problem is that he can only get it to work by accident.

Hint. Get angry or upset.

Just saying.

When they return to Yuria, Gilius is pissed that he's already been replaced by "Panther Man", sorry, Chronos "Evil" Lait (Golden Axe III).

Seemingly to prove a point, Gilius takes Hampton to take down Death Adder before Ax, Chronos and Tyris do.

Learning about the Blade and Hampton, Adder sends his most loyal henchmen the Bad Brothers on a simple mission.

But things on their dumb part predictably go tits up.

Amidst all that, expect monsters, thieves, camp skeletons, magic, Druda (Hampton's childhood bully in Wenisburg) and for some reason, a male version of Dora (based on 1992 arcade only sequel Golden Axe: The Revenge of Death Adder).

Pain and vengeance

I understand why Mike McMahan tried to transfer the energy of Star Trek: Lower Decks, with goofy humour copying Dungeons & Dragons: Honor Among Thieves and The Princess Bride, but gamble didn't quite pay off.

Mixing mild language (such as shit, prick and asshole) with sporadic gory violence begs the question of who this was aimed at. 

Kids or adults?

Err.

However, about 3h 20 is still a pretty fun time, and fans of the games will smile at the following:

In E2, Tyris teases Ax by his name not making sense. He retorts " Sword is a superior weapon" and 'Sword Battler' would be an inferior name.

"Ax with an 'e' except if it's me."

(Laughs).

By transporting Gilius to the afterlife, E5 expertly switches to glorious 2D scrolling action, where minotaurs (introduced in Golden Axe II), comically kick his ass.

There are other in-jokes, but blue thief apparently 'enjoying' getting kicked up the ass was disturbing.

Death Adder takes a back seat until the final two episodes, but shit is worth waiting for.

Climax

Adder revives a God (Death Death), by saying "Rise from your grave."

Yeah, it's cheesy as hell and a different Sega IP, but c'mon guys - it's Altered FUCKING Beast.

Chicken Leg calls every character we've met, instigating a huge war.

Tyris maxes out dragon magic, forcing Adder to drop Axe.  This allows Hampton to remove fragment of Blade from Axe (and Adder's control over the Gods).  They tear snakes from his body and bury them with helmet in a pit. 

One of the Gods declare they can smell the blood of the giants on Hampton, which considering his size, is amusingly ridiculous.

The Narrator states he has many more stories to tell, and I'd be happy to hear them.

Catacombs of Coincidence - Part 2

The odyssey continues.

Slasher - Dead Space (2008) vs Dead Space¹ (1991)

¹Remake of Forbidden World (1982).

Gina Falcone - Fugget About It (2012) vs Angelica Pickles - Rugrats (1991)

Chainsaw Man (2018 manga debut) vs Biggyman - Splatterhouse (1988)

The bane is 'something' that causes annoyance or great distress.

It's also the title of an ultra low-budget 2008 British horror film, which you wouldn't wish on your worst enemy.

Anyway, let's bring in the Bane everybody knows.

Tom Hardy - The Dark Knight Rises (2012) and Injustice 2 (2017)

Why these iterations I hear you ask?

Well.

Urban Chaos: Riot Response (2006)

Despite having the same name, Rocksteady Studios' debut is not a sequel to Mucky Foot Productions' Urban Chaos (1999), and remains their only game not based on a DC property.

Who's this?

Burner gang leader

Obviously debatable, but bald head and mask takes bites from both.

Return to Silent Hill (2026)

Unlike 2006 original, I was less than impressed with Christophe Gans' sequel.

https://nukesandknives.blogspot.com/2026/01/return-to-silent-hill-scoop-and-digest.html?m=1

At one point, a spider monster appears, eerily smacking of the horrific experiments that occupy the Lab Complex in superb 2012 arcade rail-shooter Dark Escape 4D.

Hude spider

WTF?

Queen Spider

Zooming in on respective mugs.

(Pulls very confused face).

Eliminators (1986)

Simulant - Red Dwarf, Justice (S4 E3) 1991 vs Mandroid¹

¹ntbcw unrelated 1993 film. 

Displaying a rather spiffing hat, he's the Man with No Name, (if Clint Eastwood was a cyborg).

Surely done on purpose, but...

Along with Sylvester Stallone (Rambo) and Roger Moore (James Bond), shit actually came to fruition in top-down racer Nitro, released for the Amiga and Atari ST in 1990. 

Every gun makes its own tune.

Last, but by no means least.

Smash T.V. (1990)

The spiritual successor to Robotron: 2084 (1982) was inspired by 80's action films, primarily The Running Man (1987).

Oh, Arnold Schwarzenegger played Ben Richards, which might be slightly relevant.

Check out the final forms of bosses Mutoid Man (left) and head swap Evil MC (right). 

I remember random stuff most probably wouldn't, such as a creepy advertising campaign for PPI, which ran between 2017-2019.

Yep, it's an animatronic Arnie head mounted on a tank.

The fucking lunatics who dreamed this shit up probably had a schizoid embolism after watching Total Recall.

Get ready for a surprise!

Stay tuned for the grand finale.